He didn't say good-bye. He didn't leave a phone number. And he didn't plan on coming back - ever.
In Wisconsin, Rico could blend in. His light hair and lighter skin wouldn't make him the "dark dude" or the punching bag for the whole neighborhood. The Midwest is the land of milk and honey, but for Rico Fuentes, it's really a last resort. Trading Harlem for Wisconsin, though, means giving up on a big part of his identity. And when Rico no longer has to prove that he's Latino, he almost stops being one. Except he can never have an ordinary white kid's life, because there are some things that can't be left behind, that can't be cut loose or forgotten. These are the things that will be with you forever.... These are the things that will follow you a thousand miles away.
For anyone who lovedThe Outsiders-- and for anyone who's ever felt like one -- Pulitzer Prize-winning novelist Oscar Hijuelos brings to life a haunting choice and an unforgettable journey about identity, misidentity, and all that we take with us when we run away."Dark Dude's journey toward self-discovery is a compelling read. Today's teens will be thrilled to discover a voice as authentic and accomplished as Oscar Hijuelos's"- Ellen Hopkins,New York Timesbestselling author ofCrankandGlassone
Well, even if they say life can be shitty, you really don't know the half of it until you've dug up an outhouse. This was the fourth time in twelve months that I'd gotten down into the nitty-gritty and goop of it -- and I'd had enough, for crying out loud. But I was doing it for my old neighborhood bro Gilberto, not just 'cause he'd have smacked me in the head if I didn't, but as a thank-you-man for letting me stay on his farm for so long. That's right, a farm.
Anyway, let me tell you about how this New York City kid ended up around the corner from where he lived, about a thousand miles away, in Wisconsin.
First of all, you've got to be hearing music just now -- not with corny-assed violins and trumpets, but maybe some cool Motown -- you know, something way better than the kind of diddly country or polka music you can go nuts trying to avoid on the radios out here. Then you got to imaginetime going backwards, and everything slipping into reverse, not to when there were dinosaurs or medieval-assed knights trying to slay dragons, but just a few years.
Now picture me on my stoop, on a hot New York City summer afternoon, with two comic books -- aSpider-Manand aFantastic Four-- rolled up in my back pocket and dying to be read. While some kids are playing stick-ball down the street, I'm fused to the stoop 'cause I'm supposed to be going to the A&P with my Moms, but she's been taking forever to get back from wherever she's been.
I'm on my former altar boy best behavior, despite the comics I've just "borrowed" from the stationery store, and I have a pious look on my face, the one I always put on while wishing I could be doing something really devious instead, like tossing water balloons or dumping out a full garbage can at unsuspecting strangers from the rooftop, stuff I never have the nerve to do.
So I was just sitting there when my pal Gilberto Flores, all six foot two of him, came bopping up the hill from Amsterdam Avenue, wearing the biggest grin I'd ever seen in my life.
No one else looked like Gilberto. He wore a giant Afro, had a scar down the side of his face, big ears, and smiled all the time.
I was always glad to see him.
"So, Gilberto, why you looking so happy?" I asked him.
He could barely contain himself. "Rico, my man," he said, a toothpick between his lips, and stroking his goatee the way he did whenever a girl with a nice butt went walking by, "I'm rich!"
"What do you mean, 'rich'?" I asked, used to hearing all kinds of BS from him.
He strode over to me and planted one of his size-twelve feet on the highest step. "You remember th
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